LIEDER

Anne Cambier (soprano), Jan Vermeulen (fortepiano)

In both Mozart’s and Haydn’s works, only a modest place has been dedicated to the Lied. As for the number of compositions, the role of both composers had been rather insignificant if seen in the framework of the European ‘Kunstlied’. As a matter of fact, the German contemporaries - C.P.E. Bach, C.F. Zelter, J.F. Reichhardt, J.A.P. Schulz and others have indeed dedicated themselves fullheartedly to this music-form. This recording aims to bridge that gap.

Haydn:
 Fidelity, Hob. XXVIa:30
 O Tuneful Voice, Hob. XXVIa:42
 Piercing Eyes, Hob. XXVIa:35
 Pleasing Pain, Hob. XXVIa:29
 She Never Told Her Love, Hob. XXVIa:34
 The Mermaid's Song, Hob. XXVIa:25
 The Spirit's Song, Hob. XXVIa:41

Mozart:
 Abendempfindung an Laura, K523
 Als Luise die Briefe, K520
 An Chloë, K524
 Dans un bois solitaire, K308
 Das Veilchen, K476
 Der Zauberer, K472
 Die betrogene Welt, K474
 Die Zufriedenheit, K473
 Komm, liebe Zither, K351
 Oiseaux, si tous les ans, K307
 Ridente la calma, K152
 Un moto di gioia, K579
 Warnung 'Männer suchen stehts zu naschen', K433